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剧情简介

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

丹麦小村教堂影评

老友影院网友:从剧本打磨到镜头语言,从场景搭建到演员表演,《丹麦小村教堂》全方位展现出导演卡尔·西奥多·德莱叶成熟的创作功底,而Ib,Koch-Olsen 对角色的精准诠释与沉浸式演绎,更是让这部作品在众多影视剧中脱颖而出,收获观众与业内的双重认可。

百度云网友:一部好的影视作品,离不开优秀导演与实力演员的强强联手,《丹麦小村教堂》正是如此:卡尔·西奥多·德莱叶导演精准把控故事内核与叙事节奏,演员:Ib,Koch-Olsen突破自我塑造经典角色,让观众在追剧过程中既能感受剧情魅力,又能体会到影视艺术的独特魅力。

樱花动漫网友: 抛开流量与热度,回归作品本身,《丹麦小村教堂》之所以能成为口碑佳作,离不开导演卡尔·西奥多·德莱叶对细节的极致追求,更离不开Ib,Koch-Olsen对角色内心世界的细腻诠释,每一场戏都经得起推敲,每一个角色都立体而真实。

老友影视网从开篇铺垫到高潮爆发,从人物成长到主题升华,《丹麦小村教堂》在导演卡尔·西奥多·德莱叶的掌控下呈现出完整且动人的故事线,而Ib,Koch-Olsen等演员用细腻且有力量的表演撑起角色灵魂,成为整部影视中最打动人心的亮点所在。

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