Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
老友影院网友:从剧本打磨到镜头语言,从场景搭建到演员表演,《痴心女子负心郎》全方位展现出导演刘易斯·艾伦成熟的创作功底,而雷·米兰德,安·托德,杰拉丁·菲茨杰拉德 对角色的精准诠释与沉浸式演绎,更是让这部作品在众多影视剧中脱颖而出,收获观众与业内的双重认可。
百度云网友:一部好的影视作品,离不开优秀导演与实力演员的强强联手,《痴心女子负心郎》正是如此:刘易斯·艾伦导演精准把控故事内核与叙事节奏,演员:雷·米兰德,安·托德,杰拉丁·菲茨杰拉德突破自我塑造经典角色,让观众在追剧过程中既能感受剧情魅力,又能体会到影视艺术的独特魅力。
樱花动漫网友: 抛开流量与热度,回归作品本身,《痴心女子负心郎》之所以能成为口碑佳作,离不开导演刘易斯·艾伦对细节的极致追求,更离不开雷·米兰德,安·托德,杰拉丁·菲茨杰拉德对角色内心世界的细腻诠释,每一场戏都经得起推敲,每一个角色都立体而真实。
老友影视网从开篇铺垫到高潮爆发,从人物成长到主题升华,《痴心女子负心郎》在导演刘易斯·艾伦的掌控下呈现出完整且动人的故事线,而雷·米兰德,安·托德,杰拉丁·菲茨杰拉德等演员用细腻且有力量的表演撑起角色灵魂,成为整部影视中最打动人心的亮点所在。
Copyright © 2008-2022