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“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
红花之歌影评
老友影院网友：从剧本打磨到镜头语言，从场景搭建到演员表演，《红花之歌》全方位展现出导演莫里兹·斯蒂勒成熟的创作功底，而Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼 对角色的精准诠释与沉浸式演绎，更是让这部作品在众多影视剧中脱颖而出，收获观众与业内的双重认可。
百度云网友:一部好的影视作品，离不开优秀导演与实力演员的强强联手，《红花之歌》正是如此：莫里兹·斯蒂勒导演精准把控故事内核与叙事节奏，演员：Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼突破自我塑造经典角色，让观众在追剧过程中既能感受剧情魅力，又能体会到影视艺术的独特魅力。
樱花动漫网友: 抛开流量与热度，回归作品本身，《红花之歌》之所以能成为口碑佳作，离不开导演莫里兹·斯蒂勒对细节的极致追求，更离不开Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼对角色内心世界的细腻诠释，每一场戏都经得起推敲，每一个角色都立体而真实。
老友影视网从开篇铺垫到高潮爆发，从人物成长到主题升华，《红花之歌》在导演莫里兹·斯蒂勒的掌控下呈现出完整且动人的故事线，而Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼等演员用细腻且有力量的表演撑起角色灵魂，成为整部影视中最打动人心的亮点所在。
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