播放地址

剧情简介

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

荣耀六十年影评

老友影院网友:从剧本打磨到镜头语言,从场景搭建到演员表演,《荣耀六十年》全方位展现出导演Herbert,Wilcox成熟的创作功底,而Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla 对角色的精准诠释与沉浸式演绎,更是让这部作品在众多影视剧中脱颖而出,收获观众与业内的双重认可。

百度云网友:一部好的影视作品,离不开优秀导演与实力演员的强强联手,《荣耀六十年》正是如此:Herbert,Wilcox导演精准把控故事内核与叙事节奏,演员:Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla突破自我塑造经典角色,让观众在追剧过程中既能感受剧情魅力,又能体会到影视艺术的独特魅力。

樱花动漫网友: 抛开流量与热度,回归作品本身,《荣耀六十年》之所以能成为口碑佳作,离不开导演Herbert,Wilcox对细节的极致追求,更离不开Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla对角色内心世界的细腻诠释,每一场戏都经得起推敲,每一个角色都立体而真实。

老友影视网从开篇铺垫到高潮爆发,从人物成长到主题升华,《荣耀六十年》在导演Herbert,Wilcox的掌控下呈现出完整且动人的故事线,而Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla等演员用细腻且有力量的表演撑起角色灵魂,成为整部影视中最打动人心的亮点所在。

影片评论

猜你喜欢

Copyright © 2008-2022