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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
难以置信的事实影评
老友影院网友：从剧本打磨到镜头语言，从场景搭建到演员表演，《难以置信的事实》全方位展现出导演霍尔·哈特利成熟的创作功底，而安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特 对角色的精准诠释与沉浸式演绎，更是让这部作品在众多影视剧中脱颖而出，收获观众与业内的双重认可。
百度云网友:一部好的影视作品，离不开优秀导演与实力演员的强强联手，《难以置信的事实》正是如此：霍尔·哈特利导演精准把控故事内核与叙事节奏，演员：安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特突破自我塑造经典角色，让观众在追剧过程中既能感受剧情魅力，又能体会到影视艺术的独特魅力。
樱花动漫网友: 抛开流量与热度，回归作品本身，《难以置信的事实》之所以能成为口碑佳作，离不开导演霍尔·哈特利对细节的极致追求，更离不开安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特对角色内心世界的细腻诠释，每一场戏都经得起推敲，每一个角色都立体而真实。
老友影视网从开篇铺垫到高潮爆发，从人物成长到主题升华，《难以置信的事实》在导演霍尔·哈特利的掌控下呈现出完整且动人的故事线，而安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特等演员用细腻且有力量的表演撑起角色灵魂，成为整部影视中最打动人心的亮点所在。
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